Fans of fantasy and role-playing embark on a perilous journey into ‘The Neverending Maze’, where evil servants await and a confrontation with the powerful sorcerer is inevitable. Along with the ‘Band of Bravery’, the audience decides how the story will unfold in the ‘The Neverending Maze’.

During the concert, the audience (school students and the public), receives a unique introduction to the classical symphony orchestra. Mathias Madsen Munch's musical language is cleverly tuned to the ears of the audience and invites them at eye level into the concert hall, where they actively participate in determining the development of the music through clapping, stomping and gestures.

In October 2023 ‘The Neverending Maze’ was re-imagined and premiered with Aarhus Symphony Orchestra in a new orchestral version of the string quartet performance, which originally toured with ‘DR Musikariet’. The Collecting Society for songwriters, composers and music publishers ‘KODA’ considers the piece a new work and it has recently been nominated for the acclaimed award ‘Carl Prisen’, which takes place on April 30 2024. The award acknowledges top musical productions of the year across all genres and platforms in Denmark.

‘The Neverending Maze’ (in this particular orchestra version) was commissioned, produced and performed by Aarhus Symphony Orchestra and conducted by Subin Kim in October 2023.

Music and libretto is written by Mathias Madsen Munch, who also features on stage as a communicative link to the audience through voice and body language. Munch's keytar was successfully and wirelessly connected to the Symphony Organ in Aarhus, which resulted in a fully immersed and dramatic experience.

‘The Neverending Maze’ is arranged for orchestra by Thomas Bryla and staged by Claus Reenberg. The production is available in Danish, English, Russian and Latvian due to an intricate translation system developed by Mathias Madsen Munch, allowing for a smooth translation of even more complicated passages. This approach has been developed over the years in close collaboration with ‘The Danish Cultural Institute’.